Wood grain and carving marks on an unfinished bowl

Materials — wood and lacquer

Wood, cloth, foundation and lacquer form one vessel
Wood, cloth, foundation and lacquer form one vessel

Seasoning timber

We use Japanese zelkova and horse chestnut for bowls, and magnolia and katsura for trays and boxes. Rough-turned wood rests on ventilated shelves for one to two years. Rushing this stage can cause distortion after completion; the seasoning time cannot simply be shortened.

Seasoning rough forms on ventilated shelves
Seasoning rough forms on ventilated shelves

Lacquer from tree sap

Urushi is sap collected from cuts in a lacquer tree. It is a scarce material. We use Japanese-grown lacquer for finishing coats, and lacquer refined in Japan for foundations and intermediate coats. We explain which materials are used in each piece when you enquire.

Lacquer sap collected from small incisions in the bark
Lacquer sap collected from small incisions in the bark

Cloth and a mineral foundation

Vulnerable rims and feet are reinforced with hemp cloth and lacquer. Layers of fired diatomaceous earth, lacquer and rice paste form the foundation. These layers are hidden in the finished piece, but help determine whether it can be repaired after the surface wears.

Linen reinforcement and the mineral foundation
Linen reinforcement and the mineral foundation

A surface that changes

The lacquer film becomes more transparent over time. Black gains depth; vermilion or gold beneath it becomes clearer. Lustre appears first where hands touch the vessel. This is the natural evolution of lacquerware, rather than simply deterioration.

Materials and food contact

Our pieces use wood, lacquer, hemp, diatomaceous earth, rice paste, and gold, silver or shell for decoration, without synthetic resin or paint. Pieces are checked for curing before shipment. Uncured lacquer can cause a rash; please consult us if you have reacted to lacquer or related tree sap. Written origin and species information is available for individual pieces.